Descension is a multidisciplinary performance that blends philosophy, contemporary dance, and immersive soundscapes to embody the inner turmoil and transformation at the heart of Nietzsche’s Thus Spoke Zarathustra.
The event serves as both a meditation on the descent into madness—reflecting Friedrich Nietzsche’s own psychological struggles—and a critique of the manipulation of his legacy by his sister, Elisabeth Förster-Nietzsche.
Through movement, language, and music, Descension invites the audience to confront the blurred boundaries between genius and madness, authenticity and distortion, ultimately opening a space for reflection on the search for truth amid chaos.
As the director, my goal was to create a visceral experience that reflects Nietzsche’s unraveling mind, focusing not just on his struggles during life, but the tragic misinterpretation and manipulation of his work after his death. Nietzsche’s final years, marked by mental instability and isolation, led to his writings being taken out of context and used to fuel dangerous ideologies in the decades that followed.
The first chapter of the Zarathustra: A Philosophical Performance trilogy, which explored the intense emotional and philosophical journey of Friedrich Nietzsche’s descent into madness and the aftermath of his death. This performance delves into the dark side of Nietzsche's ideas—his internal battles with isolation, self-overcoming, and the unrelenting craving for meaning that ultimately led to his collapse.
With only two spot lights, black backdrop, black platform for the readers and a dancer with white and black wing shaped fins custom - Designed by Nora Sacca - for contrast and symbolism, creating a faded dream state view for the audience.
The trilogy’s protagonists—Amr Attieh (Arabic), Min-Dju Jansen (German), and Raina Lee (English)—carry the philosophical narrative through all three acts, each lending a distinct voice and sensibility to the text. Their multilingual readings echo the existential cries of a mind teetering on the edge, drawing the audience into Nietzsche’s world of doubt, longing, and revelation.
Amr Attieh (Arabic Reader)
Raina Lee (English Reader)
Min-Dju Jansen (German Reader)
Through contemporary dance, multilingual readings, and evocative music, Descension depicts Nietzsche’s profound internal turmoil and his final, desperate search for meaning. Choreographed by Emran Alamareen.
though during the rehearsals i didn't interfere with Emran's process nor did i gave it much attention; for me in an unspoken nor discussed during or after the performance, what could shout about the descention into madness more than not giving the main act any direction, just some pointers of cretin ques.
The performance also reflects how Nietzsche’s ideas, once misunderstood and misused, became a source of manipulation after his death, particularly through his sister’s revision of his works. Instead of honoring his critical stance against authoritarianism, her actions twisted his legacy, allowing his writings to be distorted and weaponized by those seeking to advance dangerous ideologies.
Presented at Shams Theatre in Amman on February 15th, 2025, Descension marks the first chapter in a trilogy that not only explores Nietzsche’s personal struggle but also the enduring consequences of how his ideas were repurposed after his death. This performance serves as a reflection on the danger of distorting philosophical works to serve an agenda, and the tragic irony of a philosopher’s profound insights being used to perpetuate oppression.
The sound design of Descension is anchored by the evocative album SUPER8 MEMORY by Thijs Lodewijk (b. 1973), known as LudoWic—an artist and musician based in the Netherlands whose work spans the transitional area of music, art, and design. LudoWic is renowned for his experimental approach, blending modern technology with vintage techniques and rare instruments, most notably the Trautonium, whose haunting timbre forms the core of the album’s sound. With the artist’s permission, I crafted a continuous liner track from the album, layering in custom sound effects that responded to the unfolding narrative and served as audio cues for the readers and dancer. Drawing inspiration from Tarkovsky’s The Mirror, the soundscape fused dream and memory, allowing the music and effects to guide the emotional arc of the performance—making each moment both timeless and uncanny.
Credits:
Concept ,Curator and director : Zaid Alshurbaji Readers: Amr Attieh (Arabic) , Min-Dju Jansen (German) ,Rania Lee (English) Choreography & Dance Performance: Emran Alamareen Music Composition : Thijs Lodewijk (LudoWic) (Super-8 Memory Album)Lighting Design: Ahmad Shehadeh Sound Design & Engineering: Zaid ShurbajiCostume Design & Wardrobe: Nora Saqqa Stage & Technical Support: Addy Dajjah, Mustapha Al Abdali, Saleem Al AshqarVideography & Editing: Ahmad Shehadeh Venue: Shams Theatre